Lutz Jakob Bergner, M. Sc.


30167 Hannover


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Persönliche Informationen
Curriculum Vitae
Jakob received his B.Eng in Media Technology from the University of Applied Sciences Emden/Leer in 2010 with focus on audio engineering (thesis title: An opera DVD production: the audio production workflow based on ProTools). He dug deeper into audio signal processing, virtual acoustics and perception during his studies at the Technical University Berlin where he received his M.Sc in Audio Communication and Technology in 2014 (thesis: On modal directivity decomposition of line array loudspeaker systems). After his studies he joined the Virtual Acoustics group at Fraunhofer IDMT and the Media Technology group at Technical University Ilmenau for project-oriented research on spatial audio technologies. In late 2017 he finally joins the Audio Communication group at the Institute of Communications Technology at Leibniz University Hannover as a researcher where he is also tackling his PhD endeavor.
Research Interests
- Audio signal processing (spatial audio, filter design, beamforming,…)
- Sound field capture, analysis, processing and reproduction
- Soundscape analysis
- Psychoacoustics and auditive perception
- Wind turbine noise analysis
Teaching
- Supervision of Bachelor’s and Master‘s theses
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Publikationsliste
Zeitschriftenbeiträge
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(2022): The Headphone and Loudspeaker Test – Part I: Suggestions for Controlling Characteristics of Playback Devices in Internet Experiments, Behavior Research Methods
Konferenzbeiträge
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(2022): An Open-Source Python Framework for the Generation of Questionnaire GUIs without Programming, Fortschritte der Akustik - DAGA 2022, 48. Jahrestagung für Akustik, Stuttgart
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(2022): Analyzing the Degree of Immersion of Music Reproduction by means of Acoustic Fingerprinting, Fortschritte der Akustik - DAGA 2022, 48. Jahrestagung für Akustik, Stuttgart
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(2021): Assessing Wind Turbine Noise Perception by means of Contextual Laboratory and Online Studies, 9th International Conference on Wind Turbine Noise, e-Conference from Europe, 2021
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(2021): Soundscape Fingerprinting - Methods and Parameters for Acoustic Assessment, Fortschritte der Akustik - DAGA 2021, 47. Jahrestagung für Akustik, Wien.
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(2021): On Predicting the Perceived Annoyance of Wind Turbine Sound, Fortschritte der Akustik - DAGA 2021, 47. Jahrestagung für Akustik, Wien.
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(2021): The Measurement of 3D-Audio Experience: The Immersive Audio Quality Inventory [IAQI], Proceedings der Tonmeistertagung
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(2021): Messung immersiven Musik-Erlebens: Das Immersive Audio Quality Iventory [IAQI], Proceedings der Jahrestagung der Deutschen Gesellschaft für Musikpsychologie e.V.
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(2021): Bringing Confounding Variables to a HALT: Suggestions for the Controlled Use of Playback Devices in Internet Experiments, Proceedings of the ICMPC/ESCOM
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(2021): Headphone and Loudspeaker Screening for Web-Based Auditory Experiments: Suggestions for a Reliable Estimation of Data Quality and Sample Size, Proceeding of the ICMPC/ESCOM
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(2020): Audiovisuelle Laborstudie zur Lästigkeit von WEA-Schall, Fortschritte der Akustik - DAGA 2020, 46. Jahrestagung für Akustik, Hannover
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(2020): Machine Learning basierte Klassifikation von Außenschallszenen für Lärmmessungen an Windenergieanlagen, Fortschritte der Akustik - DAGA 2020, 46. Jahrestagung für Akustik, Hannover
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(2019): Investigation on Ecological Validity within Higher Order Ambisonics Reproductions of Wind Turbine Noisescapes , Internoise 2019, Madrid
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(2019): A System for Room Response Equalization of Listening Areas Using Parametric Peak Filters , AES International Conference on Immersive and Interactive Audio, York, UK
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(2019): On Wind Turbine Noisescape Reproduction for Perceptual Evaluation, Fortschritte der Akustik - DAGA 2019, 45. Jahrestagung für Akustik, Rostock
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(2019): Ansätze zur binauralen Erweiterung einer Algorithmik zur lästigkeitsbezogenen Analyse und Synthese der Schallemissionen von Windenergieanlagen, Fortschritte der Akustik - DAGA 2019, 45. Jahrestagung für Akustik, Rostock
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(2019): Towards a Virtual Audiovisual Environment for Interactive 3D Audio Productions, 2019 AES International Conference on Immersive and Interactive Audio, York, UK Weitere Informationen
Vorträge
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(2019): Assessing Public Noisescapes by means of Virtual Acoustic Environments, Workshop at International Conference on Spatial Audio, ICSA, Ilmenau.
Diplom-/Masterarbeiten
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(2022): Untersuchung von Windenergieanlagen-Schall auf binaurale Merkmale, BA, ÜT (Betreuer: Jakob Bergner)
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(2020): Evaluation of Beamforming Algorithms and their Respective Hardware-dependent Implementation for a Small-Scale MEMS Microphone Array, MA, ÜT (Betreuer: Jakob Bergner, Roman Schlieper)
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(2020): Localisation and Separation of Acoustic Moving Sources Based on Beamforming with Microphone Arrays (Betreuer: Jakob Bergner)
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(2019): Psychoacoustic Optimization of a Calibration and Equalization Routine for Multi-Channel Loudspeaker Systems, MA, ÜT (Betreuer: Jakob Bergner).
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(2019): Laborstudie zur Lästigkeit von WEA-Schall mit Hilfe von räumlicher Schallfeldwiedergabe (Betreuer: Jakob Bergner, Stephan Preihs)
Studien-/Bachelorarbeiten
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(2022): Comparison of Loudness Measurement and Evaluation Methods for Spatial Audio Reproduction, MA, ÜT (Betreuer: Jakob Bergner)
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(2020): Handhabung von niedrigen Frequenzen und Subwoofern bei immersiver Audiowiedergabe, BA, ÜT (Betreuer: Jakob Bergner)
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(2019): Zur Entzerrung der Raumimpulsantworten von Multikanal-Lautsprechersystemen bei immersiver Wiedergabe, BA, ÜT, (Betreuer: Jakob Bergner).
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Forschungsprojekte
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Wagner 3.0Immersive Klangumgebungen und ihr Potenzial für das Musik-ErlebenLeitung: Prof. Dr. Reinhard Kopiez (Koordination), Prof. Dr. Jürgen PeissigTeam:Jahr: 2019Förderung: Niedersächsiches Ministerium für Wissenschaft und KulturLaufzeit: 11/2019 - 10/2022
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WEA-AkzeptanzObjektivierte Vorhersage und Beurteilung der Schallemissionen von WindenergieanlagenLeitung: Prof. Dr.-Ing. Raimund Rolfes (Koordination), Prof. Dr. Jürgen PeissigTeam:Jahr: 2017Förderung: BMWi (Förderkennzeichen 0324134A)Laufzeit: 04/2017 - 10/2020
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